Thursday 22 May 2014

Yesterday I joined the darkside...

Well, kind of. Yesterday I did my first ever attempt at some thread based embroidery (not bead embroidery not tambour embroidery!). Shocking I know. But I think the project I have in mind does need it so I need to suck it up and get it done! :)





Nothing wonderful or even shockingly out of left field. Just some basic chain stitch. I did a little trial piece before I attacked my actual project test piece. Simple grey sewing cotton (doubled over). I did a little more of it after I had taken this pic to play with the sizes of the loops etc.






This is the project tester. The bugle beads are 6mm just for sizing. Need to work on the 'circle' in the centre a little, but looks pretty good to me. Definitely needed the chain stitch around the outside as a border. A little daunted that I might have to sew about one hundred of them though :D But projects always seem to be go big or go home!

Friday 9 May 2014

Introduction to cutlery, crockery and vessels: What you can get away with and when

Moons and moons ago I wrote this article. I was skimming some really old stuff on my computer and re-found it.  It was aimed at setting up some really basic intros for newbies to consider and read as they started to get into the SCA. Attempting to be a three part series, this is the cutlery section. It seems to be missing the pics that I remember including. But still interesting none the less.

When I find the others I will post them too! (so they don't fall further down the rabbit hole :) )


Introduction to cutlery, crockery and vessels:
What you can get away with and when

If you’re first starting to play with the SCA one of the simplest things you will need is a set of eating-wares. You’re going to be attending events and you’re going to be eating! But it can be hard when your walking in a little blind to figure out exactly what it is you should be using for the period you want to start portraying.

This document is a very, very basic guide to what types of things were used and during what timeframes they existed. It will cover your cutlery basics, plates, bowls, cups and jugs. At the end there will be a small amount of information on some other things that exist on a table for you to research yourself.

Part 1: Cutlery

During the SCA ‘period’ there were two critical pieces of cutlery, spoons and knives. Forks were more common much later on in period, with fingers always being an acceptable option. That’s what tablecloths are for after all!

Spoon!

Spoons came in a number of materials. Early in period wood, horn, bone and even ceramics were very common. There are metal spoons in these times, however they would have been quite high status.

As a newcomer, you can be sure that a wooden spoon would serve you well from any time in early period all the way to late period for the middle to low classes. Only difference for the time periods would be how finely the spoon was carved.

Early period (particularly ‘Viking’) also commonly had horn spoons. Horn was a very easy material to use, and took spoon shaping quite easily. If you are going to use horn, however, you’ll need to be aware of the temperatures affecting it. Horn will bend and bow very easily in hot temperatures so be careful when stirring your coffee!

Metal spoons appear commonly outside the nobility around the XX period. A number of different materials were used, including pewter, silver, and even brass and lead.

Metal spoons tended towards tear-shaped bowls with a straight, flat handle. Later in period the handles could be quite highly decorated, and cast pewter spoons with figures and decorations are very common.

All up, if you’re heading out to the Op Shops you can keep an eye out for horn and wooden spoons. Older style silver spoons with simple straight handles will fit a number of periods and classes with some minor modification (flattening the handle/bowl joining point).

Knives.

There are four different purposes for knives in period, eating, trade specific, defense and decoration, and often a knife’s purpose served several masters.

There have been thousands of different knife and dagger styles found within SCA period so there is an over-abundance of choice. But there are a few ‘rules’ to guide you in this process.

Knives used primarily for defense (e.g. rondelle or bullock daggers) are rarely used for eating or specific trades.

Knives used as a part of a specific trade or work type (e.g. glove makers or fishing knives) are rarely used for eating, decoration or defense.

However, a decorative knife made in the fashion of the day could be for defense or eating, but rarely both.

Eating knives were also general-purpose knives. As it was always to hand, hanging off the belt, an eating knife was often a durable knife used to do many everyday things such as slitting open a sack or cutting thread and twine.

A ladies eating knife could be thought of as a defensive knife as well. As ladies would almost never (exceptions being the likes of Joan de Arc etc) wear a primarily defensive knife their short-bladed eating knife was a handy substitute, just in case.

As you go later into period, eating knives developed into quite fine, single-purpose knives and the higher the class, the finer and more decorated it would be.

For knives, decoration means a few things. The knife itself could be quite plain, but the scabbard could be very highly carved or patterned. It was also quite common to see scabbards that were covered in velvet or other fabrics sometimes with jewels inlayed into them.

The knife hilt could also be highly decorated. High-status knife hilts would have inlay jewels or be made from materials such as ebony, ivory or jade. Wire wrapping was also a common sight, with materials ranging from steel or copper to gold or silver.

More commonly, scabbards would be leather and the hilts made from wood, bone or antler.

When you’re out looking for your feasting knife watch for a few basics. Any plain wooden handled dinner knife is a good choice and a wooden handle is always preferable to plastic. Those horrid wooden handled steak knives are an easy, cheap placeholder whilst you acquire something better. If your lucky you can find ‘fake’ antler knives, popular in the 60’s, which is one small step up from the steak knives but not the greatest overall.

If you keep your eyes open, you’ll find something simple to get you through. Later on you can commission a custom-made knife from a merchant or order a pre-made one online.

Forks.

A fork, a fork! My kingdom for a fork! Well, not quite. Of the three primary eating utensils, a fork is your least important or needed in period.

Forks have a patchy history. They were comparably hard to manufacture and at times thought to be the work of the devil. Along with all that, we already have built-in forks attached to the ends of our hands, fingers.

None of that however is to say that they did not exist, or that they are only a later period ‘invention’. The popularity of forks was certainly gaining momentum during the very end of the 16th century, but it does not preclude their existence in earlier times.

When we think of forks in period we often think that they are Italian in origin. Brought to Europe around the mid-eleventh century, they were first used by the Italians but spread slowly across the continent with their last conquest being England around 1600.

Forks in period have had varying number of tines (prongs) and this is linked to how they were used. A fork was often a ‘spearing’ tool to lift food from the plate out of the sauce where you could then take the food with your fingers and put it in your mouth. This method of use led to the early design of a very flat, thin fork with two tines.

Forks have ranged from two tines to four and even five. This shows a progressive change in the way forks were used and the slow but steady removal of fingers from the utensil list.

If you choose to have a fork in your kit look for something that either has a limited number of tines or that you can alter to suit the period you decide on. Old-style silver forks can be a good choice. They are relatively easy to flatten and if you’re very keen you should be able alter it to a two-tine fork with a fine hacksaw. Other options are three-tine seafood forks.

The other option is to not bother. You don’t need a fork. It truly is optional. If you don’t go down the forked path, I would suggest that you invest in a good napkin however.

Your Cutlery Set

So all up, a spoon, a knife and a fork if you want one or a good napkin. Keep to the simple stuff to get you through your early SCA ‘career’. Alter what you can yourself and order/buy/make better when you’re able. For the most part you can get the simple stuff at the Op Shop, just keep your eyes open and keep to a few basic rules.

Plastic = bad (unless its fake antler, then it’s okay).
Wood is good.
Spoons are flat.
Forks are tine-y.
And if you can’t find a period knife style you like, you’re really not trying!

Bibliography:

http://www.larsdatter.com/spoons.htm

http://www.museumoflondon.org.uk

http://collections.vam.ac.uk/item/

http://tarvos.imareal.oeaw.ac.at/

A History of the Table Fork, Robyyan Torr d'Elandris, OL, Copyright 1989, 2000 by Dennis R. Sherman.

Cowgill, J, de Neergaard, M and Griffiths, N. Knives and Scabbards. London: Museum of London, 1987, 2000

Friday 2 May 2014

Things bead related and the Laurel prize tourney at Festival

Whilst a lot of my focus lately has been very cheese orientated by brain has not strayed too far from my bead work as well.

Bead Projects -

The banner has come out of hiatus and is currently on the table waiting for ordered beads. I am frustratingly trying to figure out a slightly new version of the border I want around it, but am being picky. Festival market day saw a proliferation of beads and a subsequent reduction in my account balance. Some are immediately earmarked for the banner, others for the shiny at the moment. I have also made some decisions on trim and bits and pieces for the central lozenge. Next step is to action them! Part of that is going to be constructing a frame to help work the lozenge, but soon my pretty!

The Laurel Prize prompted me to pull out some of my part done bead projects and have a look at them again. So for the first time in probably over a year I did two more rows on my peyote stitch solid construction piece which will be trim for a cloaklet. Then of course I broke the thread about an inch from the bottom whilst moving it around and was grateful it is only a tester piece! But it did prompt me a to start thinking about it again and planning the final/actual piece as well.

More than anything Laurel Prize (as my first time ever entering) started me thinking about my bead related ufo's and what I needed to do to finish some. It also reminded me of the breadth of styles I am playing with, Russian bead embroidery, German peyote solid construction, India tambour working, couching and just bead by bead laying down. Made me feel good that I have a strong basic to intermediate on all these styles, now I just need to apply myself and get into the more advanced!

Laurel Prize Tournament, Rowany Festival 2014 -

As I mentioned before this was my first ever entry so I didn't really know what to expect (Mistress says, Apprentice does!). My table was split into two parts, cheese and beads. I took some haloumi (freshly fried), semi-soft goats and fresh butter for tasting as well as way too much of the associated equipment! I also took my beaded banner, my peyote work and my examples of the Russian bead embroidery. I got talked to a lot on both topics and I wouldn't say any one over the other. Earned a little bowl of trinkets and shinys including a strand of pretty pretty pearls and actual period Venetian chevron trade bead (which is awesome!). Had a particularly good chat about cheese making equipment and need to now pass on some details/sizes to get some things commissioned :)

Nice. Positive. And I will know better what to take/expect next year!

Flavour testing update, Manchego plans and I invented a new cheese!

Well I didn't really invent it. But I made it up on the spot with only a faint memory of what the recipe was supposed to actually be, and it turned out really yummy!

However firstly, the taste testing for the sheep milk substitute was a success. So now I am moving towards trialing some sheep flavour cheese. First on my list is a manchego. A good Spanish hard cheese which I have come to love over the past few months. So light, so sweet. In a few weeks I hope can write up a little more on that front. I think I have a recipe I am happy to work with so just need the time and the milk :)

Lemon Cheese - Alex style



Rowany Festival has just past and it had been my intent to make some cheese over the fire at our campsite whilst there (quark, semi-soft goats and a manchego). Master Owen had delightfully created my wanted cooking box, in collaboration with myself, however we'd no chance to test it before the event. So our test firing enlightened us to a slight flaw which caused the underside of the box to ignite! So I was unable to do any cheesing at the campsite (ignoring that I had also forgotten one small package that was in the freezer containing starters, rennet, lipase too...). Plans are now in the works to correct the problem with the firebox, should be a relatively simple fix (another layer of fire-brick to the bottom!).


 However my lovely Mistress Monique of all things Greasispoone-y, allowed me to invade the kitchen and cook up some random cheese with the milk I had taken with me and some lemons from the fridge. And so my lemon cheese is born. Very simple recipe which I have just replicated today, and added calcium chloride for a better yield.

6Lt unhomoginised milk
approx 5-6 medium lemons, juiced
3ml calcium chloride

Heat milk in a large pan to 32oC
Add calcium chloride
Stir for 1 minute
Add lemon juice
Stir for 1 minute
Cover and sit at 32oC until a clean separation of curd and whey is evident (about 30-40mins, whey/liquid should be greeny-yellow)
Spoon into a muslin lined strainer
Drain for 12hrs in the fridge (with or without a small weight to speed the process)
Use immediately, should keep for 4-5 days minimum

Now the cheese that I got from my first attempt was fairly plain but with a light, sweet after tang of lemon. The cheese was smooth but the lemon after left your mouth feeling fantastic.

So later on the day after making it, that lemon cheese became lemon cheesecake. And was subsequently demolished by all. Zomg was it yummy! So todays replication of my lemon cheese is also intended to become cheesecake, hopefully even half as yummy! A totally modern baked cheesecake recipe supplied by Mistress Monique, but I see a good future for this as a cheese tart for event cooking.

***UPDATE***

Just on the yield of the cheese with the addition of the calcium chloride.

The first batch I made was using 5Lt of milk and 5 smallish lemons. The yield was about 350 grams of cheese.

The second batch made using 6Lt of milk, 6 medium-ish lemons and 3ml of calcium chloride. Yield was 1.7Kg.

You can see from this very simple cheese that the process of pasteurization strips out a heck of a lot of the available calcium and decreases the yield significantly!!