Tuesday 27 August 2013

Back to sugar....

This is what the team presented for the Sugar section in regards to history and production:




Writer – Alex
Editor - Clare

Sugar has a long and varied history. Long associated with the slave trade of the New World, sugar was an in demand luxury item well before the later 16thC mass production that made it truly common. [NOTE: Beet sugar production lies well outside SCA period (around 1750) when the process of heat/steam extraction was discovered (Mintz 1999)].

Sugar cane is first mentioned in a European context by Emperor Darius’ soldiers in 510BC. The soldiers found “reeds which produce honey without bees” near the Indus River. Sugar cane was also mentioned centuries later, in 327BC, by Alexander the Great's generals in western India as ‘reeds of honey’. (Powers 2002, Mintz 1999) Its roots however, lay in Guinea (Mintz 1999) where the cane [Saccharum officinarum] is thought to have first appeared. Sugar cane then moved across the sea into southern Asia and from there slowly crept towards the Middle East.

In turn, the Persians learnt sugar making from the Indians (around 540 AD) and the Arabs subsequently learnt this skill whilst conquering (641 AD) the Persians (Powers 2002). Given its need for a warm temperate climate, sugar found a natural home throughout Egypt, Cyprus, Palestine, Sicily and Moorish Spain as well as Syria, Jordan and Morocco. The Arabic influence pushed sugar production through these regions, which is easily evidence through the large number of sugar mills and refineries excavated in those areas. (Burke 2004, Stern 2001). Sugar was first introduced into Moorish Spain around 755AD (Mintz 1999) where small plantations can still be found.

The availability of sugar spread along the Mediterranean with the help of knights returning from crusade (13thC). Those same crusaders also drew it to the attention of the northern European countries. As the demand for sugar spread through Europe, the need for honey lessened. Sugar began to fill the traditional sweetener/preserver role that honey had traditionally filled more and more. (Mintz 1999).

The use of sugar has changed inline with its availability (Mintz 1995). Through times of limited/costly supply it was primarily used as a medicinal, and figured prominently in Black Death remedies throughout Europe (Powers 2002). The Apothecary Colleges spearheaded the sale and supply of sugar through Europe (Powers 2002) as an accidental adjunct to their trade of medical cures and spices (Laughran 2003).

...instead of being obtainable only in the shops of apothecaries, who kept it for the sick, as before, sugar is now eaten for appetite alone. That which was once a remedy now serves as food.
Abraham Ortelius, writing in 1572 (Powers 2002)

As sugar crept into more common usage it appeared in more and more recipes and contemporary cook books. This also saw it start to displace honey in recipes due to its ability to sweeten without affecting the taste (Mintz 1999). Any number of recipes referencing sugar can be found in such SCA-period manuscripts/books as A Forme of Cury, Le Menagier de Paris, Boke of Kokery, and Gentyll manly Cokere.


Theatrum sanitatis codice 4182 della R Biblioteca Casanatense Rome

There are a number of types of sugar that are referenced. These include white (inc. powdered and casting), muscovado, mellis, refined, thrice-boiled, molasses, brown and candy sugar. (Gutierrez 2007) Each was named for the amount or method of processing undertaken, with white sugar being the highest quality and most refined.

Throughout SCA period sugar was sold to users as a cone shaped ‘loaf’, often wrapped in a blue cloth (which highlighted the white colour, and therefore purity, of the cone). It was also sold in ‘boxes’ or ‘cases’ and ‘barrels’ (Gutierrez 2007)

Historically the want for more and better quality, sugar drove the mass growth of the sugar refining industry through ancient to medieval to moderns times. Our human desire for sweet, candied products and the ‘luxury’ status that they hold comes from the continued acknowledgement and association with the long arduous methods of processing and refining, and our ability to place great value on the time and effort involved.

The manufacture of sugar is covered in the section titled Sugar Production below.


Writer – Alex
Editor - Clare

Humans seem to have an insatiable lust for this sweet crystal which has driven the exponential growth of the sugar industry into the modern era.

Even in pre-medieval times, the production of sugar was a well established ‘industrialised’ process. The methods and processes used in the production have only, over time, been moved away from small labour intensive methods to larger mechanically based methods. The addition of animal driven mills, water powered presses and specifically designed buildings all aimed towards producing superior products, with less effort and cost.

However, the costs of sugar production were not solely monetary. Without the development of an adequate rotational crop process, intensive cane harvesting depleted the soil of nutrients over a period of several years/decades (Moore 2005). As the demand for sugar increased soil fertility also decreased, making it necessary to have more labour on farms/plantations to manage the land along with the cane itself. As demand grew, and soil fertility fell, more and more pressure was applied to finding new lands and areas to cultivate sugar cane. The rise and fall of production has been evidenced in many areas of Europe (Powers 2002, Moore 2005, Mintz 1999), and the discovery of the New World added new lands of an ideal climate, much needed for the production levels required to support demand.

The biggest problem for the sugar industry was adequate supply of labour. The higher the demand was for sugar, the more plantations/farms were required to produce cane. Pre-1600 sugar refining was still a labour intensive process, even with the addition of mechanical aides. The link between the slave trade and sugar production in the Caribbean is well established and slaves were sent in droves to supply the harvesting and refining workforces required. The transportation of massive amounts of slaves, predominately from Africa (New Internationalist 2003), to the Caribbean allowed a plantation style production of sugar to be developed. Slaves were a much cheaper workforce than farmers, they were also considered both expendable and easily replaceable (Mintz 1999).

Aside from having a viable area to grow the sugar cane and an appropriate workforce to cultivate it, sugar refining required large amounts of wood fuel to support the boiling processes (Moore 2005). One of the largest problems for the sugar refining industry was keeping the supply of wood resources to the boiler rooms for final production. In some instances the boiling process was transferred to other places, particularly from Caribbean islands back to the home country, in an effort to keep costs at a minimum. This also occasionally involved the transport of wood to the islands for the boilers, but was considered an expensive last resort (Moore 2005).

The cultivation and processing of sugar was of necessity linked. There is a need to process sugar cane as close to harvesting as possible (Mintz 1999) to allow the most sugar juice to be collected. Sugar cane is harvested by trimming the cane off close to the ground. With its thick, hard stems this required sharp 'machetes' and lots of strong backs to harvest. Processing the cane started as soon as it was harvested, with carts, animals and humans used to transport the cane from the field directly to the mill.

The sugar mill went through a number of technological developments over time. At first the cane was hand cut into short lengths and then pressed through two rollers (much like washing wringers of old) to extract the juice. A millstone would later replace the rollers and would be further adapted to be animal or water driven (Burke 2004). Once the cane was milled the cane mass would be further pressed to release as much juice as possible (Burke 2004). The presses used are very similar to those used to press apples, olives and other fruits. These presses were human driven for the most part or water powered. At each step of the process any liquid produced was kept and added to the boiling processing.


Nova Reperta  - Jan van der Straat - 1584

Several developments for the preparation of the cane before processing were also implemented. At first the sugar was put through the rollers raw and fresh cut (Burke 2004). Later, this changed so that the cane was cut into manageable pieces and then boiled before being milled. This allowed the mill to more easily separate the fibers, as they were softer, and extract more of the available juice. The water used for boiling was also processed, as it would contain a great deal of juice, which was naturally extracted through the boiling process.

The changes in design for the mill/refining buildings showed considerable thought for the quality of product. The refining process was brought together under the one roof, allowing quick transfer from pre-processing to mill to press and then to boiling and setting, with storage close by. These processes mostly occurred within the same large room, with an externally accessed room to house the boiler furnaces. (Burke 2004) The furnace room had no direct connection to the processing facility. Its door open externally to the processing room and faced away from the external doors of the processing facility. The boiling 'coppers' sat in large stone recesses whilst the furnace heated the stone slab from underneath. (Yvon 2011) This all meant that very limited amounts of soot or smoke was allowed into the processing rooms and helped ensure quicker processing of a higher quality product by shortening the impurity removal times.

Once the cane was milled and pressed, the juice from all steps was collected and then refined through boiling to allow evaporation of excess water and to start the crystalisation of the sugar. The boiling of the sugar juice would take place over several hours and pass through several different ‘coppers’. (Yvon 2011) Sugar was boiled/cooked several times by passing from one 'copper' to another each at decreasing heat levels. At the end of the boiling, the liquid (a thick, heavy 'molasses') was set into the ceramic sugar cones for the final stages.

The boiling 'copper' used in sugar production was a large, shallow conical pan. Whilst there are some examples of 'coppers' being made from iron (Yvon 2011, Burke 2004), the areas known for their high quality sugar used only purely copper 'coppers'. Whilst it is unclear if the link between quality and a copper 'copper' was known at the time, modern techniques for sugar and sugar product making insist on copper pans and bowls. This is for two reasons. Firstly copper is highly conductive to heat thus producing a very evenly heated surface which helps the sugar juice to reduce without burning. And secondly (through modern chemistry), sugar reacts with copper in such a way that allows it to crystalise quicker. The use of copper when producing products with natural sugars is still prevalent today, particularly within the brewing industry where it is an integral part of the distillation process.

Of all the ‘tools’ required for sugar production, the highest consumed products were the ceramic sugar cones and molasses jars (Burke 2004, Gutierrez 2007, Yvon 2011, Blockley 1978). A massive industry was developed in ceramics alongside the sugar industry to meet this demand. The final sugar juice was set into sugar cones for crystallisation. These cones were in turn set on top of molassess collection jars. Early examples of sugar cones were made from a number of materials, such as reeds or twigs, however ceramics soon outstripped all other styles through the ease of mass supply.

The cones were mostly an unglazed ceramic (often redware or coarseware) shaped like inverted pyramids with a hole in the bottom (Blockley 1978, Gutierrez 2007, Morris 2001). This hole was initially plugged with a piece of sugar cane and the boiled syrup was poured in (Morris 2001, Burke 2004). The plug was removed once crystallization had begun to allow the drainage of the molasses into the collection jars away from the formed crystals. The process of setting the cones was very long and required a dry, dust free environment. Water was poured through the cone at several points to allow as many impurities as possible to be removed.

Example of a cone mould on a collection pot with a set cone next to it.

The liquid in the jars was collected and either sold as molasses or boiled a second time (Burke 2004). It was generally used in such things as cooking and baking, and as a substitute for both sugar and honey. The collection jars were drained into small caskets for easy shipping (Mintz 1999). Unfortunately, from an SCA perspective, the use of molasses to produce rum sits outside period (Tuffin 2012).

At the beginning of the 17thC the process of ‘claying’ the cones was common practice (Morris 2001). The cone was removed from the molasses jar and set on another empty jar for this process. A layer of very watery clay was then added to the top of the cone and allowed to trickle through the cone removing more impurities as it went. The cone again had water poured through it to remove all traces of the clay.

Once the sugar was set into the cones, the cones and jars were left for a minimum of a month in a dry, well ventilated, clean warehouse. It is here that the cones were treated with water and clayed, and left to dry and set. After the cone had been clayed and dried, the cone was removed from the mold. The removal process often resulted in the ceramic molds being broken. At times the sugar crystals would adhere to the cone surface and inhibit the removal of the mold, forcing the mold to be broken off instead (Burke 2004).

Many regions produced sugar cone molds and associated jars as part of their ceramic industry. Large sales of molds and jars from England (Blockley 1978), Portugal (Gutierrez 2007) and France (Mintz 1999) are found and most are transported far from their production countries, throughout the Middle East and later the Caribbean. Ship manifests show numerous listings for trade and transportation (Powers 2002). In some cases, where clay was locally available, an additional building within the refinery complex would house a pottery studio onsite. These tended to solely produce cones and jars, and were staffed by slaves who were taught the very basics needed to produce them (Burke 2004). This self-reliance on locally produced cones and jars was also impacted by the availability of wood for firing the kilns and would be at least partly why trade for these items is so high.

When the 'loaf' was removed from the cone it was wrapped in blue paper or linen. This highlighted the white colour, and therefore purity, of the cone as well as protected it prior to transport and then sale (Powers 2002).

The production of sugar was a very well established industry. The methods used to produce sugar changed little during SCA-period, other than to employ newly available technology in attempts to meet market demand. The application of this new technology allowed for much higher levels of product being available and reduced the initially inhibiting costs. Sugar progressed from a very valuable, highly sought after good, to one available to most households over a few centuries.


-,- (2003) "Slave Sugar" New Internationalist 363. December 2003, 26-27.

Blockley, K (1978) "Post-Medieval Pottery Production at Woolwich" London Archaeol 3, no.6 pp.153-8.

Burke, K.S (2004) "A note on Archaeological Evidence3 for Sugar Production in the Middle Islamic Periods in Bilād al-Shām." Mamluk Studies Review, VIII-2.

Gutierrez, A (2007) "Portuguese coursewares in early modern England: reflections on an exceptional pottery assemblage from Southampton" Post-Medieval archaeology, 41 (1) pp. 64-79.

Laughran, M (2003) "Medicating With or Without 'Scruples': The 'Professionalization' of the Apothecary in Sixteenth-Century Venice" Pharmacy in History, Vol.45 No.3 pp.95-107.

Mintz, S. W. (1999) "Sweet Polychrest." Social Research, Spring99, 66(1): 85-101.

Moore, J. W. (2005) Stalking Modernity: Sugarcane and the Political Ecology of Europe's Colonial Expansion, 1450-1750. Conference Papers -- American Sociological Association, American Sociological Association.

Morris, E.L (2001) "Sugar-Refining Ceramics - with a Petrological Report on Red Eearthenwares including Sugar-Refining Ceramics by Wayne A. Hardwick" Theme Four, Channel 4 Time Team Artefacts.

Powers, B&C (2002) "How Sweet It Was: Cane Sugar from the Ancient World to the Elizabethan Period" http://www.maggierose.20megsfree.com/sugar.html

Tuffin, G (2012) "RUM OF REBELS & RAPSCALLIONS." Bars & Clubs(66): 50-59.

Yvon, T (2001) "The Provenance of Refining Pottery in Guadeloupe: Indispensable Utensils for the Sugar Industry from the Seventeenth to the Nineteenth Century." Journal of Caribbean Archaeology, 11.

Vendel Brooch for Portia

Just before Mistress Portia vanished of this continent to swan around in the UK (a few weeks ago), she asked me to make something for her for Raghlan Faire.

Based on Vendel finds and as per the pics here:

http://cathyscostumeblog.blogspot.com.au/2011/12/useful-knowledge-from-nrre-sandegard.html

What I came up with was this:






This was put together partly from my Great Bead Stash From Hell and partly harvesting from the beads Portia had given me to make other apron dress decorations (which are from her personal collection) which are below.


The brooch was made using silk thread for strength and durability, as well as it being a time appropriate material. My preference for most things like this would be to use tiger tail wire, for pure strength. The apron dress accessories were all done on wire. Other than silk I would have used wool thread or possibly heavy linen thread as well.

Was really quite simple to make. Took about 3 or 4 hours all up (spaced over a day with some good periods of procrastination in between). I was very, very glad to have the bone spacers in my Stash which worked perfectly. Portia liked it, I enjoyed making it. All win!

Some more of the old...

I am frequently torn between my loves and obsessions. It is a constant battle between the early and late period jewellery and decoration.And I honestly have no preference for any time period, I just love the shinys!

Byzantine has been one of my drooling points for some time. They did awesome beadwork and jewellery. They did a wide variety and they did it for both sex's. Which is a definite appeal to me.

One piece I made some time ago was a recreation of this necklace:






Byzantine necklace of gold wire, pearls, amethyst and green glass beads (Field Museum of Natural History)

I did take some liberties with it, mostly because I did not have anything to replace the two large round clasp feature pieces. And this is what my recreation looked like (front lefthand side):


Unfortunately I currently don't have a better picture of this, but hopefully I will be able to liberate it from its new owner (Mistress Portia) and take a better pic soon.

Details, details. The original is gold with pearls, amethyst and green glass beads. Mine is coated white metal wire, black, amethyst and red glass beads, pearls and cast silver plated quad-loops. I hand wound the clasp and made the connecting chain from links I already had.

Like I said I did take some liberties. Mostly as cost saving measures, but also to please my eye aesthetically. It was a lot of fun to make this. I enjoy wire work, even when it is hard on my hands!

The decision on the type of clasp to make for this was based on other pieces of jewellery from the same period, and I basically substituted one for the other.






CHEESE!

Well not just cheese. But many things milk related.

Pentathlon has been lots and lots of fun, with cheese totally capturing my imagination.

The product was milk our outputs so far have been:

Hard Cheese - Gouda x2, Asiago x2, Bra Tenero, Haloumi and a hard goats cheese.
Soft Cheese - Quark!
Other - Butter (salted and unsalted versions) and Ghee/Clarified butter (salted and unsalted versions)


What we still plan to do:

Ale Cheese (a hard and a soft variety, which also nicely uses mead so we are planning to make this cheese using the mead we made earlier as part of pentathlon)
Quark (a couple of versions with herbs and spices for different flavours)
Cheese glue (including making the quicklime)
Kefir (fizzy milk drink)
Bog butter

We've had so much fun so far.

Personally, I now have a cheese cupboard which I intend to fill with hard cheeses until I can't stand it no mores! I already have plans for making some cheese for the St Valentine's event I am running next year as well as plans for a camp fire/over a weekend cheese making experience at some point.

Tomorrow I am teaching a basic butter making class (which is mostly a modern easy version, but discussing how it was made during medieval and earlier times). Which should be fun too. I have bough a bookcase worth of new books to paw-over as I learn this new skill.





Not to mention the plans regarding tea....